James,
I think you're right that they edited two locations into one "continuous" scene, using Eve's doors only.
Look at the wall sconce/lamp/lantern (whatever you want to call it) over Higgins' left shoulder in your first picture.
Same light is on the wall in the picture with TM. So if those are sound stage sets (probably because of the "estate" phone on the wall), then the first is a sound stage shot too.
Could it be that the two pictures of the double doors (the one with Higgins calling to TM and the one of Rod leaving) are taken from the porch/covered walkway (with the cameras and lights actually just under the balcony but aiming toward the driveway and the doors there) pointing toward the driveway double doors that aren't really inside? That way they still wouldn't be IN Eve's house.
golf
P.S. Now, after going back and looking at the pictures again, EYE'm getting even more confused.
Okay, in the picture below with McGarritt, this is looking from the driveway doors all the way down loggia (new word for this covered front "porch") to the oceanside wing of the house, right?
If so, that makes it look as though that end of the house adjoining the oceanside wing has NO doors that actually close, just curtains and French doors beyond in the next room. That makes NO sense. You have to be able to close up the house for security reasons, surely. PLUS, where do those French doors open up to? If you look at the aerial shot Sam posted, I don't see any French doors on the oceanside wall of the house on a line with the loggia where these should be -- or at least not any steps or porch or anything for them to open up to! Pretty fancy doors not to have something outside to walk out onto. Where the yellow arrow points here:
And the picture makes the French doors look a lot closer than the width of that part of the wing of the house. NO! WAIT! With the loggia on the land side (facing the courtyard) of the oceanside wing too, then the room in that end of the estate main house ISN'T as wide as the roof line, because two loggias meet there so that would leave only the space for one large room at the end of the mainhouse loggia that extends UNDER the roof line to meet the loggia of the oceanside wing. Did I say that right? Still doesn't explain why there are no doors to close at the ocean end of the main house loggia. Or to what those French doors open. Also those French doors look even closer in the scene shot of the guard -- not a full room width behind him till you get to those French doors.
I give up. We just all need to GO SEE these loggias in person.
Or we could just ask Rick Romer, couldn't we?
golf
P.P.S. Sam, could that guard you pictured be INSIDE the room in the oceanside wing? inside of the yellow curtains that show in the McGarritt shot? I don't see having that table, candelabra, and statue out on the loggia.
