Hi Marlboro,marlboro wrote:Sisophous wrote:Who would turn the other cheek and give it a pass again and again after getting lied to repeatedly???
I liked this episode. I am a fan of the Rockford Files and Stuart Margolin was absolutely brilliant as Angel Martin.
"...By Its Cover" would have been a golden opportunity for a Magnum/Rockford crossover. I would have loved to have seen the Rod Crysler/Nam buddy character rewritten as Angel Martin visiting Hawaii with a cameo of Jim Rockford popping up at the end to deliver the "Rod/Angel doesn't have a son" line.
p.s. I assume most Magnum fans are fans of the Rockford Files, but if anyone out there hasn't checked it out, be sure to do so. And if anyone is a big fan of "...By Its Cover" be sure to check out the RF episodes Chicken Little is a Little Chicken, Backlash of the Hunter, and Counter Gambit - they all feature Stuart Margolin at his best.
Excellent post, the response to the query of who would repeatedly be taken in by Rod, and you posting Rockford's photo made me laugh.
When I watched this episode I assumed Margolin's character was supposed to be a wink to his Emmy winning Angel Martin role.
I suspect the problem in any Rockford-Magnum crossover would have been they would have had to give a piece of the action to Rockford creator/producer Roy Huggins, a man infamous for glomming every penny he could any way he could.
He was a genius but was burnt early in his career by Warner Brothers policy of taking a reworked plot from one of it's old movies to be used as the pilot for any of their
new tv series. So Huggins could invent/create almost everything about the Maverick tv series, but by using a old movie plot for the ("based on") pilot Warners could deny the credit of 'created by' to the writer and cheat him out of big bucks.
A bitter Huggins from then on would demand huge bucks for any use of anything he created, and that would pertain to a no brainer gotta be a winner Magnum crossover, he'd likely charge so much Universal wouldnt even bother trying. Huggins was shameless, recycling whole scenes almost word for word from scripts that he did for Maverick and The Virginian for his Alias Smith & Jones on ABC. When it comes down to it, Rockford was Maverick updated to the 20th century.
I hope I am not off on a tangent here, just want to make everyone aware of what a sewer Hollywood really is, and how that fact probably affects chances of the public seeing a 21st century Magnum movie/series. Do any of you guys know who actually owns the creative rights to Magnum, be it the studio, Selleck, the creator or maybe the rights were sold off long ago?